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You are here: Home / Process / You Are a Terrible Composer

You Are a Terrible Composer

February 2, 2013 By Jon Brantingham 5 Comments

Actually, thats not true, but hopefully I got your attention. The fact is, most people will get this idea in their head at least once in their career. Many will get it over and over again. So let’s take a look at why you may think your compositions suck.

I have spent the last year and a half, really digging into composing seriously. Over that year and a half, I have had plenty of ups and downs about my abilities and the work that I’ve put out. Sometimes, usually when I finish a piece, I feel pretty good about it. Other times, normally a little later down the road after the composition is finished, I think, “Wow, I thought this was good… there is no hope for me.”

Really there are some specific things going on here:

My Composition Craft is Improving

There is one thing that above all that is leading me to these conclusions that is actually good. The most likely reason I think I am a terrible composer is that I am actually becoming a better composer, and I can legitimately say my older compositions are worse than my newer compositions, specifically in style, technique and overall coherence. As you improve, not only will your ability to spot errors will improve (meaning voice leading, counterpoint, harmony, orchestration, etc.), but your taste will develop. That is the reason why accomplished composers generally have their opinions respected about compositions that novice composers do.

My Overall Mood is Fluctuating

I am, and I suspect you are also, not immune to having a bad day. This can lead to devastating results when it comes to judging your compositions. So if you are just having the worst week of your life, or even if you just had a crummy night sleep, I recommend three things:

  1. Take a break. Everyone needs a break once in a while, even from the things you love. My wife and I try to have my son spend the night at Grandma’s house at least once a week. It’s not because we don’t love him, we do. It’s just, well… he’s three years old, and a little bit crazy sometimes. A break is good for everyone.
  2. Don’t even think about analyzing or judging your or anyone else’s music. Wait until you are 100% again.
  3. Go exercise. If you don’t exercise, start exercising. I have said it many times on this blog, and I will say it again, exercise is key to health and creativity.

You May Be a Terrible Composer

Seriously, you may be terrible. But that’s okay. No one came out of the womb composing a symphony. Not even Mozart (Mozart’s father was one of the greatest music teachers in Europe at the time, and probably had a hand in most of the early works of Mozart). So if you are, then you really need to focus on understanding great music first and “expressing yourself” last. Chances are, you are making simple mistakes, like not putting cadences in the right place, not following standard harmonic patterns, poor voice leading, or strange form.

Find a Mentor

The best thing you could do, is probably find a mentor. Someone with more skill and experience than you, who is willing to take the time to understand where you are within your composing journey.

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Filed Under: Process Tagged With: analysis, depression, Feeling sorry for yourself, Mindset

About Jon Brantingham

I am a film composer, and lover of music theory. I have spent many years figuring out the tools and techniques that actually work for composers, and now I want to teach them to you.

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    Reader Interactions

    Comments

    1. Gina Love-Aguilar

      February 23, 2016 at 2:25 pm

      I have been studying composition for many years now. I expect my next album to show improvement over the last two.

      Reply
    2. Dominic Hodson

      July 16, 2013 at 2:15 am

      One of the greatest drawbacks to composing with just MIDI into a DAW and not being able to play the instrument you are composing in e.g. piano, is that you are unable to feel the composition through your physical fingers; I am completely dependent on the computer software to play the piece, which I don’t think is the same and requires a massive mental adaptation. The only way is to buy orchestral loops and to listen to the loop stems, this is if you can’t read music either! A mentor in this style of composing would be great! Otherwise, a traditional composer has no idea of the problems!

      Reply
      • Dominic Hodson

        July 16, 2013 at 2:32 am

        On the other hand, the software will play the piece back every time the same way it was played yesterday, without disrupting emotions. I can envisage a musician composer being unable to play the piece back because of worries and a bad night, and even scrapping the entire piece when it could be improved! And composing with another human being can be very problematic! Although also a complete joy!

        Reply
        • Jon

          July 16, 2013 at 7:27 am

          There is something special though about playing your piece yourself. I am recently moving more towards the idea of writing for specific people (particularly myself and my father). I would rather write ten pieces that I can perform, than one large orchestral piece that will never get performed.
          But computers are great, and I like to believe that if Bach or Beethoven were living today, they too would use them… but who knows how?

          Reply
    3. gina love-aguilar

      February 24, 2013 at 12:04 am

      You are right. I feel like a lousy composer. I feel like all of your YouTube teaching videos are aimed at me personally, because I’m in need of the learning.
      I realize my compositions are harmonically weak. I did not know anything about harmony when I wrote the pieces. I was entirely self taught. I am now taking private composition lessons, and have been studying composition for the past 2 years so I feel I have been learning a lot. But, I can always learn more.
      I am anxious to receive your course. I know I will learn even more. I already watched up to video no. 6

      Reply

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