• Skip to main content
  • Skip to footer

Art of Composing

Let's learn to compose together.

  • Start Here
  • Courses
    • Fundamentals (101)
    • Sonata Form (201)
  • Podcast
  • Video
  • Articles
    • Form
    • Harmony
    • Melody
    • Orchestration
    • Process
  • About
    • Contact
    • Listen to My Music
  • Composing Resources
    • Recommended Books
    • Orchestration Resources
    • Forum
    • Archives
You are here: Home / Questions / Modulating when you have repeats (Course 101 question)

Modulating when you have repeats (Course 101 question)

June 10, 2017 By

Forum › Category: Courses › Modulating when you have repeats (Course 101 question)
0 Vote Up Vote Down
Dennis K asked 8 years ago

I have a question about the modulation in “Home Sick from School” from Course 101.  In Bar 7, you modulate to G Major from C Major.  On the repeat, Bar 1, you start back at C Major without modulating.   Similar situation in Bar 12, when you return to C Major, but on the repeat you are in G Major.  Is it okay to start the repeat without modulating from the key you just left?

Related posts:

  1. Recommendation for microphone + recording software I am looking to buy an affordable microphone to record...
  2. follow up question about modal borrowing Hi Same as my earlier question about flat VI, is...
  3. Sentence vs Period – Differences Hi Jon, What are the main differences between a Sentence and...
  4. New Harmony Flow Chart as of Feb 25, 2017 Please share your new Harmony Flow Chart as shown in...
  5. Do I need to be able to read music notation in order to do the courses? I am not very good at reading music. Will I...
  6. Sentence Repetition Question Hey Jon, I started to write my Main Theme of...
  7. Course Hi Jon, I have gone through the free course. There...
1 Answers
0 Vote Up Vote Down
Jon Brantingham Staff answered 8 years ago

The reason this works is that modulating to V still gets you to the original dominant in C major. This allows you to move directly back to C major with no additional efforts.

Had we modulated to a different key area, say to iii, then it wouldn’t be as smooth.

That being said, I find it is okay to do a direct modulation at the end of formal sections. Because of the natural closure that happens, your brain accepts more obscure direct modulations that would be very jarring within the theme itself.

Footer CTA

  • Home
  • About
  • Contact
  • Terms and Conditions
  • Privacy Policy
  • Cookie Policy
  • FAQs
  • Login
  • Merch
  • Courses

Copyright © 2025 · Art of Composing